Showing posts with label magic carpet ride. Show all posts
Showing posts with label magic carpet ride. Show all posts

1/31/2012

As I Walked Out One Evening: Songs, Ballads, Lullabies, Limericks, and Other Light Verse Review

As I Walked Out One Evening: Songs, Ballads, Lullabies, Limericks, and Other Light Verse
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This slim volumne is exemplary of how quantity is not an appropriate indicator of poetic genius. I would consider this book 'Auden- Lite'and a very apt first volume of Auden's poetry. The volume has several of Auden's famous poems like 'Funeral Blues' of the Four Weddings and a Funeral fame and 'Lullaby'. While it doesn't do complete justice to Auden's spritual side it has plenty of doggerel verse including 'Jam Tart' and some very amusing short poems. Auden's versatility is very impressive and there is an almost Edwardian charm coupled with a strikingly modern sensibility that make this anthology very enjoyable.

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W. H. Auden once defined light verse as the kind that is written by poets who are democratically in tune with their audience and whose language is straightforward and close to general speech.Given that definition, the 123 poems in this collection all qualify; they are as accessible as popular songs yet have the wisdom and profundity of the greatest poetry.As I Walked Out One Evening contains some of Auden's most memorable verse: "Now Through the Night's Caressing Grip," "Lullaby:Lay your Sleeping Head, My Love," "Under Which Lyre," and "Funeral Blues."Alongside them are less familiar poems, including seventeen that have never before appeared in book form.Here, among toasts, ballads, limericks, and even a foxtrot, are "Song:The Chimney Sweepers," a jaunty evocation of love, and the hilarious satire "Letter to Lord Byron."By turns lyrical, tender, sardonic, courtly, and risqué, As I Walked Out One Evening is Auden at his most irresistible and affecting.

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1/14/2012

Rikki-Tikki-Tavi Review

Rikki-Tikki-Tavi
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As a child, I grew up with Kipling stories. My mother would read me "Just So Stories" and selections from the surprisingly long and complex, "Jungle Book" when I was just a wee lass. And had this lush and lovely version of "Rikki-tikki-tavi" been available to me when I was a kid, I've little doubt that I'd have devoured it just as readily as I did tales like, "How the Elephant Got His Trunk". Though I missed out on "Rikki-tikki-tavi" the written tale, I did take great pleasure in the 1975 Chuck Jones animated (with voices by Orson Wells and June Foray) faithful film of the same story. For those of you eager to instill in your children a sharp jolt of Kipling to the veins, I suggest you start them out on "Rikki", both the film and this lovely picture book, then move on slowly to "Just So Stories" and finally, "The Jungle Book" (but not THAT film). Then, years later, when you're trying to get them to read "Stalkey and Company", you'll have already hooked 'em young.
"This is the story of the great war that Rikki-tikki-tavi fought, all by himself, through the English family's house in India". After finding a half-drowned mongoose outside his home, a young boy named Teddy and his family take in the little creature and nurse him to health. A naturally curious creature, the mongoose (named, you must have guessed, Rikki-tikki-tavi for the sounds he makes) explores the home and decides to stay. Good thing that he does too. Lurking in the garden is the deadly cobra Nag and his wife Nagaina. The snakes determine that Rikki is a threat to their unhatched children and decide that if the family dies then Rikki will leave the area. Now Rikki, with the help of the tailor birds Darzee and his wife, must defeat the snakes and defend the family that was kind enough to take him in.
Like "The Secret Garden", this is one of those early children's books that taught me a heckuva lot about British colonialism. When I was a kid, I just could not figure out what the English were doing in India in books like this one. Now, there's little doubt that the danger the family faces mostly comes from the fact that Rikki was in their house in the first place. Nag and Nagaina only plan to kill the family because they believe that Rikki will leave if they do. One element to this tale that I enjoyed was the role that the female creatures take in it. Admittedly, Teddy's mother is so faint of heart that she, "wouldn't think of anything so awful", as the possibility of a snake in her boy's bedroom. But Nagaina is far more powerful than her husband and Darzee's wife (who, unfortunately, hasn't a name of her own) is the one who helps Rikki out in the end. Not her silly hubby.
By the way, someone should let the tailor birds know that when a mongoose is hungry and isn't eating snakes, its next favorite food is bird eggs. If you don't believe me, ask someone from Hawaii sometime. The release of mongoose in Hawaii (to combat the rats) not only decimated the reptiles but also severely reduced the native bird populations. Just FYI.
It is true that Pinkney has edited down and simplified the words of Kipling's original tale to make it more palatable to young ears. Far more criminal than the editing though is the fact that Pinkney makes NO mention of the fact that he has done so anywhere in the book. I've scoured the publication page, title page, and bookflaps for Pinkney's explanation of the change. Nuthin'. For those first time "Tikki" readers, this version will strike them as being the original Kipling text. Pinkney could have at least admitted the changes he made. That he didn't is irresponsible.
Otherwise, it's hard to object to this book. The illustrations are classic Pinkney with Rikki a very realistic (and not particularly cute) mongoose. Knowing Pinkney's fine attention to detail, I wouldn't put it past him to have carefully researched the kinds of plants, birds, and snakes found in India for these lush watercolors. The clothing of the human characters definitely doesn't belong to the days of Kipling, of course. They look far more contemporary, which is fine. The nice thing about "Rikki-tikki-tavi" is that it can really belong to any era.
This is a story that has always been, and will always remain, a classic in the hearts and minds of children everywhere. Pinkney is not the first children's illustrator to adapt this tale. That honor may fall to Lambert Davis. If you are looking for a version of this tale that has NOT been edited down, locate the Davis version (which Amazon.com has inexplicably linked to the Pinkney reviews). Otherwise, for superior pictures and a gripping tale, Pinkney's the man to turn to. A wonderful tale and an even better mongoose.

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8/25/2011

Regulus (Latin) Review

Regulus (Latin)
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'The Little Prince' is a wonderful story, written by Antoine de Saint-Exupéry (1900-1944), a French writer who also worked to fight the Germans during World War II. The publication story of 'The Little Prince' is an adventure in-and-of itself, as it happened at the height of the war, and just a year prior to Saint-Exupéry disappearance over the Mediterranean while flying a mission with his French air squadron. Saint-Exupéry wrote several books, and illustrated them himself, but 'The Little Prince', about the visitor from outer space not so different from us, but perplexed by our ways, and homesick for his home, touches people to this day in profound ways, making this classic an enduring one.
Translated into Latin, this enigmatic classic becomes even more mysterious, yet (for those who know Latin) still a touching and moving story. Books such as 'The Little Prince' translated into Latin make wonderful tools for learning the language. The book here is translated by Richard Howard, a Pulitzer-Prize winning author, who has more than 150 translation titles to his name. Saint-Exupéry's original artwork is incorporated here, in the proper placement according to the French original. They are in full colour throughout the book.
The language here is basic -- Saint-Exupéry wrote 'The Little Prince' both as a children's book and an adult's book, hence the vocabulary and basic writing, in any language, is fairly simple, another way in which the Latin translation, kept to an easy construction by Howard, helps in the learning of the foreign language.
A great book, one to let out of the box.

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In 2000 Harcourt proudly reissued Antoine de Saint-Exupéry's masterpiece, The Little Prince, in a sparkling new format. Newly translated by Pulitzer Prize-winning poet Richard Howard, this timeless classic was embraced by critics and readers across the country for its purity and beauty of expression. And Saint-Exupéry's beloved artwork was restored and remastered to present his work in its original and vibrant colors.Now Harcourt is issuing uniform full-color foreign language editions. The restored artwork glows like never before. These affordable and beautiful editions are sure to delight an entire new generation of readers, students, children, and adults for whom Saint-Exupéry's story will open the door to a new understanding of life.

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