Showing posts with label biography. Show all posts
Showing posts with label biography. Show all posts

1/02/2012

The Lives of John Lennon Review

The Lives of John Lennon
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For many years I refused to read this book because I did not want to blot or tarnish, with content that had been repeatedly described as putrid, hostile, slanderous, character-damaging dreck, my image of John Lennon. After finding a hardcover in mint condition for only five bucks, however, I couldn't resist, and I'm glad I buckled. First off, like me, anyone wanting to read the book probably loves John so much that nothing anyone could ever say about him would really sully or ruin their affection for the man. Secondly, I realized quickly why Yoko Ono had so fervently condemned this book as I reached the second half. Overall, Goldman says nothing horribly negative about John (yes, he's described as neurotic and slightly crazy, but didn't we always know that about John, and wasn't that part of his appeal?) The person Goldman painstakingly describes as evil is Yoko. She comes across as satanic in nature, and while I was initially hesitant to accept this harsh assessment of her, too many other books, such as Pete Shotton's and Tony Bramwell's, paint a similar portrait for Goldman to be completely wrong. For instance, Goldman is the only writer to reveal that no record exists of the phone calls Yoko Ono famously and dramatically claims to have made to Paul and Mimi the night John died. An abundance of facts of this nature are to be found in the book.
That said, I thoroughly enjoyed reading this book, and I recommend you read it. The experience made me realize that my love for John is impenetrable, and if yours is too, then I recommend you check this book out. Ask yourself, who is the person who has done the most campaigning to destroy this book? The answer is the woman about whom Goldman does a good deal to expose.
(As a final asterisk, I meant to only give this a four star review, but I edited the review so many times that I ultimately hit the wrong button)

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The result of six years of research and some 1,200 interviews, this book takes fans deep into Lennon's secretive world, from his traumatic childhood to his Beatles days to his hidden life with Yoko Ono. While the Lennon of legend enjoyed a gifted and inspired life, the private Lennon lived in torment, poisoning himself with drugs and self-hatred. The Lives of John Lennon exposed for the first time all of his various lives, from idealist to cynic, from ascetic to junkie. It is a lasting tribute to his brilliant achievements and a revelation of the price he paid for them.--This text refers to the Paperback edition.

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9/30/2011

Joan of Arc: By Herself and Her Witnesses Review

Joan of Arc: By Herself and Her Witnesses
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Joan of Arc by Herself and Her Witnesses
Regine PERNOUD, _Joan of Arc by Herself and Her Witnesses_. Translated by Edward Hyams. Lanham, MD: Scarborough House 1994 (reissue of 1964 original). 287 pp., with index and plates. ISBN: 0-8128-1260-3 (pb).
This book is a biographical monograph by French Joan of Arc specialist Regine Pernoud. She first published it in 1964 and it has remained in print since then. The book opens with a background-setting introduction describing the geopolitical realities of royal succession in France in the late 14th and early 15th centuries, national division through civil war, and the contending forces and their allies. Nine substantial chapters comprise the main text. They cover JoanÕs early years (chapter 1); her vision and quest (chapter 2); her meeting with Dauphin Charles VII and the aftermath (chapter 3); her military campaigns (beginning with the crucial battle that lifted the English/Burgundian siege of Orleans, and concluding with CharlesÕ coronation at Rheims, chapters 4-6); her politico-religious trial of condemnation (ch. 7), her execution by fire (ch. 8); and her posthumous trial of rehabilitation (ch. 9).
The authorÕs narrative method is to present JoanÕs life and the events she inspired and lived through using extracts of testimony from her trials of condemnation and rehabilitation and from other primary sources (examples are: letters, journals and account books). Pernoud proposes on page 8 to Ò...let the historic documents themselves make answerÓ to questions about Joan, what she did and what was done to her. By this method, Joan is made to speak directly to readers. Pernoud, however, does not simply assemble a catalogue of quotations, but adroitly interleaves direct speech with narrative that pairs what is said with cultural interpretation. She thus avoids the problem of leaving untutored readers without indices to the religious, political and military context that imbue JoanÕs story with its fascination. However, Pernoud chose wisely to minimize analysis and to allow the story to unfold primarily from the documents. She invites readers to judge Joan themselves.
Pernoud appends a brief but valuable commentary to each chapter. These commentaries provide more background about events and discuss contentious arguments in the study of JoanÕs life. For example, Pernoud disposes handily of the idea that Joan was an illegitimate daughter of royalty who had been spirited away to safe haven as a child, triumphantly emerging to rescue the nation (pp. 66-9 and thereafter). Pernoud also provides incisive remarks on the provenance, dating and validity of the documentary evidence in these commentaries.
A sample extract from JoanÕs trial of condemnation offers insights into her beliefs and personality (pp. 174-75). Joan responds to interrogator Jean de La Fontaine (March 17, 1431):
La Fontaine: Do you know whether Saints Catherine and Margaret hate the English?
Joan: They love that which God loves and hate that which God hates.
La Fontaine: Does God hate the English?
Joan: Of the love or hate which God has for the English and of what He does to their souls, I know nothing; but well I know that they will be driven out of France, excepting those who will die there, and that God will send victory to the French over the English.
La Fontaine: Was God for the English when their cause was prospering in France?
Joan: I know not if God hated the French, but I believe that it was His will to let them be stricken for their sins if there were sins among them.
La Fontaine: What guarantee and what succour do you expect from God for your wearing of manÕs clothes?
Joan: For the clothes as for the other things I have done, I expect no other recompense than the salvation of my soul.
I do not read French and so cannot comment on the accuracy of Edward HyamsÕ translation. But, he did receive the 1965 Scott-Moncrieff Translation Prize for this work. Hyams rendered the transcripts in a style that unmistakably is not modern English. Antique grammatical constructions abound. These aspects of the translation provide much of the savor in the text.
This book is well worth reading and thinking about. Its special value is that Pernoud presents a view of Joan that personalizes her without analyzing her. Although an authorÕs point of view and the material selected necessarily influence how readers perceive the subject, PernoudÕs method here is more transparent than others she could have chosen. A _Saturday Review_ article stated ÒOne feels closer to Joan in these pages than in any other of the modern biographies...Ó when the book was first published; this quote is from a cover blurb and does not overstate the case. One caveat about reading this volume is necessary. It is that readers untutored in the history of the period will need to consult other sources to understand the times and the importance of what Joan accomplished in life and death.
Last is an idea for two interesting projects. Reading this work together with Carlo GinzburgÕs _The Cheese and the Worms; The Cosmos of a Sixteenth-Century Miller_ (1992) and Jonathan SpenceÕs _GodÕs Chinese Son; The Taiping Heavenly Kingdom of Hong Xiuquan_ (1996) would provide superb material for cross-cultural comparisons of three religious visionaries. Second, these same books would provide material for comparing three anthropological approaches to history by scholars who have mastered their craft.

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First published in the United States in 1966 by Stein and Day.

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8/19/2011

Jaco: The Extraordinary and Tragic Life of Jaco Pastorius (Book) Review

Jaco: The Extraordinary and Tragic Life of Jaco Pastorius (Book)
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First off, the title is great. There is no doubt that Jaco is one of the most (if not the most) gifted bass players of all time. The book documents his life as a young boy who picked up the bass (after he could not play drums any longer because he broke his arm), his career and his later years when he suffered from mental illness and died at 33. I bring up the question of accuracy as it has been raised by others as well.

One criticism about the book has been that it sensationalizes Jaco's destructive behaviour and takes away from his legacy. This is a point made by Metheny (who was a friend and a fellow musician) in the liner notes of Jaco's debut album. Also I have asked the opinion of (via a short e-mail) Jaco's second wife. Her website that details some minor inaccuracies that exist in the first edition.
That being said the book is well written and gives insight into Jaco's life. Milkowski (who is a music journalist) portrays Jaco as an extremely gifted, hard working and narcisisstic man who self destructs at the end due to bipolar disease. The clues to Jaco's illness are evident from his early years. He plays tirelessly and at times seldom sleeps. At the end of his life he self destructs due to a number of reasons including refusal comply with treatment for his illness,drugs and drinking.
One has to wonder what it says about our society that no one helped Jaco when he was clearly suffering towards the end. I posted the same question to Jaco's wife and her answer was that one has to be willing to accept help.
Mental illness is still misunderstood my most of the world. People who suffer from it can be hard to deal with and be around. I hope that if the same scenario plays out today, with better understanding of mental illness, the outcome would be different. But I am not an optimist.

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Jaco is a fitting tribute to Jaco Pastorius, the troubled genius who revolutionized electric bass playing and bridged the gaps between jazz, R&B, rock, and funk. From his early days in R&B club bands through his international stardom with fusion group Weather Report and on to his solo career and tragic death at age 35, this book portrays the life and music of Jaco Pastorius. This special anniversary edition features new interviews with Jaco's childhood friends, prominent bass players of Jaco's era and afterward, and girlfriend Teresa Nagell, who was with Jaco in the last few years of his life. In addition, several incidents from the first edition have been further researched and expanded to full chapters.

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5/31/2011

How Did I Get Here: The Ascent of an Unlikely CEO Review

How Did I Get Here: The Ascent of an Unlikely CEO
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About the Book:
This is not only a business book, but a story, actually a drama of sorts, that provides a behind-the-scenes glimpse into the life of a most unique man. One who has been able to somehow bridge the gap between a very structured corporate world and a very anarchistic and sometimes rebellious youth market with great accuracy and success.
In many ways, you've seen this story before - you know, the typical rare planetary alignment that brings about a kid with ridiculously supportive parents, the right amount of obsessiveness... the hyper overachieving computer nerd with an abundance of natural athletic talent and endless energy. Add to that a little self-made luck, and you have a true success story in the making. I use "in the making," as it is obvious that Mr. Tony Hawk is far from finished with the story.
There is a certain freshness to this book, I think primarily due to it actually being written by Tony and his family, no professional "hired hand" writers involved. You can immediately feel and sense the nights that Tony, his sister Pat, and brother Steve must have spent together either in each others presence or in emails and drafts, organizing, reorganizing, writing, re-writing, checking grammar, reviewing punctuation and everything else that goes into creating a book of top form.
This book might best be described as a "business autobiography," one filled with fun and very interesting experiences that drive along a good narrative, while providing a reasonable amount of insight into the strategies of marketing a bigger-than-life image and the vast array of product attached to it. The product in this case, in addition to skateboards and apparel, runs the gamut from philanthropic endeavors to television cartoons and radio shows, 30 million copy selling video games, Internet startups, and world tours with enough equipment and semi trailers to rival that of the largest of rock concerts. Through it all, we see how Tony successfully navigates the fine line between celebrity, businessman, and "core" skater, without "selling out" to any one side.The Ride:
"How Did I Get Here," although topical in format rather than chronological, primarily covers Tony's "business" life from 1982 (at the age of 14) straight through to the summer of 2010, the time of publication. You live through almost 30 years of rises and falls, often matching that of the rise and fall of the actions-sports industry as a whole.
If you are familiar with skateboarding history, Tony's professional career is rooted directly back to the original "Lords of Dogtown." Stacy Peralta, one of the original Z-Boys, formed skateboarding powerhouse Powell Peralta and with it, the Bones Brigade skate team. One of the first members he recruited was 13 year old Tony Hawk. We briefly follow this time through to see royalty checks with the Bones Brigade grow from .85 cents to over $5,000/mo. while still a teenager.
With the beginning of the skate recession of the early 90's and Tony soon to be pushing the old age of 25 (there were no pro skaters over that age at the time), things were getting to look rather bleak.
Thinking that his time as a pro skater was limited, he tightened his belt and sold his Lexus, bought a Honda Civic, refinanced his house to acquire $40,000 in cash, got a partner from his Bones Brigade days who could invest also, and started his own company, Birdhouse Projects along with his own skate team. Despite the skateboard industry taking a nosedive, they viewed it as an opportunity that would weed out all the wannabes for them. They were one of the those fortunate enough to weather it out.
From about 1992 to 1994 Birdhouse Projects appeared to be on life support. With his wife pregnant, an attempt at a "regular" job was made. With $8,000 loaned from his parents, meals of Taco Bell and lots of Ramen Noodles, he put together a makeshift video editing system in an attempt to make a living as a video editor, but alas it did not work out as described in more detail in the book.
Things took a quick swing for the better in 1995 at the first of ESPN's annual "Extreme Games", later simply the "X Games," the action-sports answer to the Olympics. As detailed in the book, Tony quickly became the "face" of the games and as a result of both his added name recognition and the elevated profile of the sport due to the X Games, Birdhouse sales took off. By 1997, licensing deals were abundant also.
1998 saw the advent of Hawk Clothing, with exclusive rights eventually sold to Kohl's. Between that and his foray into high-end apparel in 2002, many lessons were learned that could probably fill a book on its own.
During the 1999 X Games Tony treated the world to the first "900" ever, a maneuver that entailed 2 1/2 midair spins off a giant "vert" ramp. The anarchist attitude of the entire subculture influencing the ways of corporate culture were quite evident at this event. A big take-away for any business reader.
The seeds of "Tony Hawk's Pro Skater" video game franchise were spawned in 1997 which would produce its first incarnation in 1999 and continue year after year through publication of this book. Tony delves into the offers and strategies from its inception to becoming the best selling action-sports franchise of all time. Here we have an instance where against all advice, business decisions that only he could make, paid off more handsomely than anyone could ever have expected.
The early 2000's brought about new and very different ideas which in turn brought about even more financial reward, in most cases, or at the very least, a whole lot of excitement.
From a "corporate shake-up" in his Blitz distribution company to one of his most ambitious projects ever, Tony's brand continued to soar. Details on the creation of the Boom Boom HuckJam "arena tour, taking 14 semi-trucks for equipment and 8 tour buses for a 60-person crew, demonstrate the creativity and energy Tony possesses. Along the way we see how he makes adjustments to the show year to year as he tunes it into a well-oiled, fun, and profitable machine.
We round out the timeline with the power of the Internet as harnessed by Tony. He makes this power more tangible in fewer and more direct words than I've seen in just about any publication. From the success and craziness of his Twitter Easter Swag Hunt to the once potential closing of his ShredOrDie.com social site, lessons abound in this chapter.
Before we come to a close here, we can't forget to mention the lighter side of his trials and tribulations in Hollywood that are interspersed throughout the book. Like the time when he tried to get that 3D movie deal done with Tom Cruise, or that follow-up to Michael Jordan's "Space Jam" entitled "Skate Jam", and certainly we must note that bio-pic where Tony had to describe his "first encounters" with a screenwriter, which I believe he called a concept of "supreme existential strangeness."
Finally, we would be terribly remiss not to mention or minimize the final chapter entitled "Giving Back" that begins to document his philanthropic endeavors. Coupled with his more personal chapter featuring excepts from blogs and journals we are taken to places like Sierra Leone and his involvement in the "Sport for Good Foundation." One of their programs provides traumatized children a chance to simply be kids again through sports. These were the ones who had been forced into combat, labor camps, and other horrible situations, some ongoing, mostly during that country's darker war-torn years. A very touching moment. Domestically, the Tony Hawk Foundation continues to work year long to help neighborhoods in need. True to form, he ends the book as he states in the books' very first chapter, when talking to his more youthful readers, "If you get some extra money in your pocket, give back." He obviously lends a lot of credibility to this advice by truly leading by example.Final Thoughts:
The only difficulty I may have found with the book was a little ambiguity as to who the intended audience was, however that may have been due to a worthwhile attempt to try to make it accessible to everyone, from those with a passing interest in the Tony Hawk story, to the businessperson who has an interest in action-sports or marketing in general, or the teenager with dreams of becoming a pro skater. This is most notably exemplified when providing advice...
"Gravitate toward sponsors and licensees that are willing to
collaborate on, or even give your team control over, the look
and feel of marketing material, no matter how seemingly
insignificant. It's allowed us to weave a thread of graphic
continuity through a wide range of products." (Obviously to
the businessperson.)
or "Don't rebel for rebellion's sake. In fact, rebellion shouldn't
even factor into it. If the thing you love and do best is
viewed as rebellious, then, yes, embrace your inner Che
Guevara. But don't let the cool police dictate your dreams.
Think of it this way: If your passion is dismissed as mainstream
and dorky, that makes your insurgency all the braver. Do it because
you love it, not because you're worried about what others-teachers,
friends, that hot emo chick who sits alone by the bike rack at
lunch-will think." (Obviously, NOT to the businessperson.)
This is a great read. If you're even remotely interested in the action-sports industry, or possibly a pro skater looking for some sound advice in handling, or how not to handle, your business affairs, or just a young kid wanting to know what it takes to "Be like Mike... or Tony", you can't go wrong with this book. I loved it. I'm sure you will too.

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