Showing posts with label business. Show all posts
Showing posts with label business. Show all posts

2/10/2012

Top Performer: A Bold Approach to Sales and Service Review

Top Performer: A Bold Approach to Sales and Service
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It's a book designed to provide a wake-up call for those who work in sales and service. If you've been conducting business for a while, have experienced some success, and are wondering, "What's next?" - or "How can I shake things up?" - this book could be very helpful for you.
The premise is unique: those in sales can learn a lot from the experiences of street performers. At first that may sound like it's a stretch, but the authors make their case very well. It's written as a parable, with a street performer named the Rat Catcher providing surprising advice to a salesperson whose enthusiasm for his business has waned.
The story draws parallels between a street performer's talent for engaging the audience, getting them involved and drawing them in, and the most effective approach for sales. A performer has to always be on his game. He must be prepared to improvise, accommodate surprises, and reach higher and higher if he senses he's losing the attention of the audience. The performer must be able to deftly convert a heckler into an invested member of the audience - or at least a surprising or amusing element of the show!
The book teaches the reader all about the value of harnessing energy - your own, as well as that of those surrounding you - to establish instant rapport, a feeling of group participation, and a shared experience. Through that shift, you can increase your sales and even your personal enjoyment of your "show."
The chapters are broken into different show biz techniques for improving performance - Claim the Pitch, Mine the Mess, Choose the Close, and Juice the Jam. The story is fun and engaging and the lessons translate beautifully for those of us working in sales. I found the simple story a good way to communicate some powerful techniques.
You know, my whole life I've enjoyed street performers. I always stop. I always watch. And I always give money. I've observed and appreciated the energy they put into the shows, but never before had I made the connection between what they do and what we do. I found the premise of this book so thought provoking and unique; it is a great new approach to a very familiar subject. I thought the book was good and that the lessons were clear and meaningful to our industry.
It really just boils down to recognizing that life is about relationships and living in the moment. It's about embracing change, dealing gracefully with mistakes, and rolling with the punches. In the end, those lessons and qualities serve us well in business, too.
Stephen C. Lundin is also the co-author of Fish! A Remarkable Way to Boost Morale and Improve Results, which is a fantastic business book that tells the story of the fishmongers at Seattle's Pike Place Market, and how they developed into the most popular "street performance" in the country. This is also a great read, which I reviewed on December 7, 2006.

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We all sell something for a living -- whether it's a brand, a vision, an education, a direction, or a service.We might even be selling a set of numbers to a board meeting, learning to a student, or cereal to an infant.This eye-opening parable is about harnessing natural energy -- yours and that of those around you -- in order to take your sales, and your satisfaction to the next level of success. In Top Performer, you'll meet Jim, a disciplined but uninspired sales manager.In London on vacation -- his first in years -- he meets a gentleman named Top Hat.In an engrossing conversation, Top Hat tells him about a legendary Dublin busker/street performer called the Rat Catcher, who engages his audience and effortlessly charms them into parting easily with their change.Top Hat then gives Jim an envelope to bring to the Rat Catcher as a form of introduction. Jim is incredulous, and even a bit suspicious.But after a trip back home, he's willing to do anything to break out of his rut of good-to-average sales and dogged but unfulfilling perseverance. Jim travels to Dublin, where the Rat Catcher tells -- and shows -- him some surprising secrets of his work ethic and his selling style.Jim ultimately realizes that he needs to Claim the Pitch, Mine the Mess, Choose the Close, and, most importantly, Juice the Jam.When Jim returns home, he's re-energized, having learned how to Build a Circle and Pass the Hat where it really counts -- in his life, his relationships, and his workplace.Full of action-packed and sometimes hilarious descriptions of the real like adventures of street performer, this engaging metaphor will appeal to anyone in any position -- and in any field, from banking to baking to busking.In the tradition of the bestselling Fish! series this is a deceptively simple story that contains profound advice -- advice that will help make readers into Top Performer themselves.

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12/26/2011

Coaching the Sale Review

Coaching the Sale
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Finally, a book that promotes a clear path to the sale while still valuing the relationship of the client. So often it's about making the sale, forcing the sale and even manipulating the sale; it was nice to have a clear process that allows you to build a solid relationship before the sale is "made". "Discover, Discuss and Decide" may at first seem elementary, but the coaching industry has a very loose and organic approach to everything it does... even anti-consultant at times in an effort to help differentiate ourselves from "them". This book provides a clear framework to have intentional conversations with clients about what they really want & need, and how they want you to help them. I appreciate the book, the models and have already used the process several times to create greater clarity and understand with my clients and prospects. Thanks for another great resource to recommend to my clients and friends. www.seanoliver.com

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Selling in the 21st century is a whole new game. Every day you face educated and skepticalbuyers who are tired of traditional sales techniques and tricks. A whole new approach is needed, and everyone is seeing the benefits of coaching.Coaching the Sale brings the power of coaching to the sales process. It involves a respectful approach where you create solutions with your prospects, resulting in greater buy-in and increased client loyalty.Using the 3D Sales Solution, you will learn to:--Discover the Issues--Discuss Solutions--Decide an OutcomeCoaching the Sale is an entirely new approach to sales, one designed to win over today's cynical customers. If you learn to work with your clients and bring them on your team, they will let you coach them to bigger sales and a long-term relationship.

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9/21/2011

The Logic Of Failure: Recognizing And Avoiding Error In Complex Situations Review

The Logic Of Failure: Recognizing And Avoiding Error In Complex Situations
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Dietrich Dörner is an authority on cognitive behavior and a psychology professor at the University of Bamberg, Germany. His research shows that our habits as problem solvers are typically counterproductive.

Probably our main shortcoming is that we like to oversimplify problems. Dörner offers a long list of self-defeating behaviors, but common to all of them is our reluctance to see any problem is part of a whole system of interacting factors. Any problem is much more complex than we like to believe. And failure doesn't have to come from incompetence. The operators of the Chernobyl reactor, as Dörner points out, were "experts." And as experts, they ignored safety standards because they "knew what they were doing."

Dörner identifies four habits of mind and characteristics of thought that account for the frequency of our failures:
1. The slowness of our thinking-We streamline the process of problem solving to save time and energy.
2. Our wish to feel confident and competent in our problem solving abilities-We try to repeat past successes.
3. Our inability to absorb quickly and retain large amounts of information-We prefer unmoving mental models, which cannot capture a dynamic, ever-changing process.
4. Our tendency to focus on immediately pressing problems-We ignore the problems our solutions will create.

Successful problem solving is so complex that there are no hard-and-fast rules that work all the time. The best take-away from the book (and this is my favorite quote): "An individual's reality model can be right or wrong, complete or incomplete. As a rule it will be both incomplete and wrong, and one would do well to keep that probability in mind." The book is 199 easy-to-read pages, and Dörner gives lots of interesting examples from lab tests illustrating people's actual behavior in problem-solving situations.
It's a thought-provoking book for anyone whose job is to tackle complex problems. In one way or another that includes anyone in just about any profession.

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8/12/2011

Fortune's Fool: Edgar Bronfman, Jr., Warner Music, and an Industry in Crisis Review

Fortune's Fool: Edgar Bronfman, Jr., Warner Music, and an Industry in Crisis
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The demise of the music industry is a topic of continuing interest - Goodman's excellent book using Bronfman as the central theme - nicely captures the utter disregard for both the customer and artist, the genius of Steve Job's iTunes/iPod platform and the scramble - still in progress to redefine what the inevitably volatile music business will be in the future now that the big companies have milked all they can from reissuing everything they can on CD. I remember the period when Elvis' first recordings - titled the Sunrise collection - were rereleased by RCA every year with "newly" discovered material.
I was interested that one of Lyor Cohen's label heads had to scout strip clubs to understand what was happening in the music scene - says something about where society is going. Incredible amounts of money exchanging hands for trivial and thoughtless strategies. Goodman appropriately focuses on the central role of Ahmet Ertegun as the last of the old school of record and label makers.
As to Bronfman - he comes across as very wealthy with any ascribed successes coming from throwing enough against the wall that something sticks. $50 million bonuses and losing $130 million in 3 months trying something appear to be par for Bronfman's course. Wonder how he missed the Brooklyn Bridge.
As the other reviewer noted, the cast of characters lack the charm and idiosyncrasies of the record men of the 50s and 60s - Sid Nathan, Hy Weiss, Jerry Wexler, Berry Gordy etc. and the 80s not to ignore Malcolm McLaren. Not a business for the pure of heart.
Good book.

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8/07/2011

Make It Happen: The Hip-Hop Generation Guide to Success Review

Make It Happen: The Hip-Hop Generation Guide to Success
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I had been waiting for a success book to be written for the hip hop generation by the hip hop generation, along came Kevin Liles.
Given Kevin's high position in the music industry he was able to give insight from on the hustle it took to get there and the hustles hes observed of others. Might I add that that point in itself, his observation of others hustles, is what saved this book from being an autobiography (that wouldnt be a bad thing anyways).
Normaly I dont like too many stories in success books but Kevin is definitly the exception. From lessons learned playing Guts with Lebron James to that reasoning behind his reaction to Dame Dash barking on him on the infamous scene of The HardKnock Life Tour.
The one thing I like about this book also is that it wasnt all about getting money. It wasnt materialistic as most success books. Work hard, play hard seems to be able to sum up his philosophy.
The principles and attitudes Kevin shares arent simply for someone hoping to make it big in music either, they can be applied in anywhere.

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Kevin Liles' meteoric climb from street kid to unpaid intern at Def Jam Records to executive vice president of the Warner Music Group is far more than a rags-to-riches story. It is a tribute to Liles' work ethic, discipline and confidence in doing his thing his way -- the hip-hop way.In Make It Happen, Liles -- named one of America's Most Powerful Players Under 40 by Black Enterprise -- offers his ten rules of business success, which range from "Find Your Will" to "Don't Let Cash Rule" and "Play Your Position." As he outlines these and other strategies for success, Liles shares his own hard-won wisdom about his journey to the top, along with career advice from the various music artists, industry professionals, mentors and friends he has known along the way. No matter what version of the American Dream you choose to explore, this book will help you to empower yourself and Make It Happen.

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7/18/2011

Rick Rubin: In the Studio Review

Rick Rubin: In the Studio
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Author Jake Brown seems to have synthesized this book almost entirely from other people's interviews with Rubin, his mentors and partners, and the broad range of musicians with whom he's worked. The only new interview Brown lists in his extensive bibliography is with Rubin's early protégé George Drakoulias. The bulk of the book is a series of quotes artfully selected and stitched together from newspapers, music magazines and websites. Brown's research is extensive, and organized into coherently themed chapters the material paints a broad-brush portrait of Rubin. But with only one original interview, Brown adds few new insights to the record.
Brown neither interviewed Rubin, nor actually watched him work, nor - other than Drakoulias - appears to have spoken with anyone who worked with Rubin. The quotes are all presented at face value, with no dissenting or contrasting opinions, and by sampling from other people's interviews, Brown robs himself of the opportunity to interact with the sources and ask specific follow-up questions. He cleverly synthesizes conversational back-and-forth between principals (e.g., Rubin and Johnny Cash) by weaving together quotes from multiple sources, but in the end it's a simulation rather than real-life interplay, and though a nice writing trick, it's not satisfying.
The existing materials that Brown could find, or his own personal interests, color the depth and breadth of the book's coverage. Individual chapters on Public Enemy, Mick Jagger and the Dixie Chicks are short and shallow, while multiple chapters on the Red Hot Chili Peppers wander away from Rubin into fetishistic, over-long explorations of guitarist John Frusciante's equipment. There are a few obvious typos, such as the use of "peak" in place of "pique," and at least one ill-chosen presumption: the Metallica documentary Some Kind of Monster is mentioned without explaining why it would have made Rubin nervous - those who've never seen the film are left in the dark.
Readers are left to synthesize the larger themes from Brown's reporting. Rubin emerges from the quotes as a transformative figure that brought rap to the mainstream, revitalized rock production, resuscitated moribund and damaged musical careers, and pried mature artists from their ruts. The diligence of his pre-production, particularly his focus on selecting and preparing material, is shown to free musicians to be emotional performers in the studio rather than technical craftsmen. Rubin himself is only rarely glimpsed in the studio, a by-product of both his working method and Brown's method as a writer, but he's pictured as listening intently and nudging (or jolting) artists with his ideas.
Drawing views from multiple sources might give readers a chance to triangulate on Rubin, but the vantage points are often too similar to create real dimension. The sampling of quotes doesn't bring the author, and thus the reader, close enough to really feel Rubin's character. The numerous in-line citations, laudable for their accuracy in accreditation, leave the reader feeling one step removed from the book's subject. The breadth of Brown's research shows a deep passion for Rubin's work (particularly with the Red Hot Chili Peppers) that would have paid greater dividends via first-person access to the producer. [©2009 hyperbolium dot com]

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Chronicling record producer Rick Rubin's meteoric rise in the music industry, this authoritative book posits that he has taken greater risks than any other producer of the past 25 years. Tracing his career from Def Jam Records—founded with Russell Simmons in a New York University dorm room—to his recent years as a top independent record executive, the book also goes behind the scenes to show how Rubin created hit albums with such diverse legends as the Beastie Boys, the Dixie Chicks, Johnny Cash, LL Cool J, the Red Hot Chili Peppers, and Rage Against the Machine—as well as the great rock and metal supergroups, Audioslave, Linkin Park, and Metallica.

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7/03/2011

Life and Def: Sex, Drugs, Money, + God Review

Life and Def: Sex, Drugs, Money, + God
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I know what you are thinking. If this book is so bad, why did I give it four stars? First of all, the book only deserved 3 ½ stars but unfortunately that is not an option due to technical difficulties (this is my first review!).
Second, this is a very interesting story about a self-made millionaire who pioneered and profited from an industry that didn't exist 30 years ago. However, this book leaves a lot to be desired.
Life & Def sets sail with a strong start. Simmons details his childhood and introduces his creative family. He explains the strong influence of his mother (the free-spirit painter who encouraged her children to seek non-traditional occupations), and his father (the writer who believed in a 9-5, but encouraged artistic expressions and even wrote lyrics for Run DMC!) Despite the strong start, the ship soon goes off course. Simmons bombards you with names, (random) dates, and industry specific terms. He gives brief overviews of important milestones such as his successful HBO show Def Comedy Jam, only to return (briefly again!) later in the book.
My love of hip-hop and desire for entrepreneurial success pushed me through the choppy waters of this book. I especially struggled to stay afloat during the last 30 pages. By this time I was mentally exhausted from wading through oceans of acronyms, abbreviations, and run-on sentences. Simmons offers a plethora of advice. He candidly shares his mistakes and regrets in an attempt to save the reader from the same. However, he gives you a map for success omitting the last leg of the trip! At the end of the book, I was lost at sea searching for answers to the many issues that plagued the author. The best example of this is the recurring theme of drugs. Simmons readily admits that he heavily indulged in everything from marijuana, to cocaine, to angel dust (his hallucinogen of choice.) He then briefly (3 pages!) outlines how yoga led him in his quest for spirituality. He never mentions when (or if?) he discontinued the heavy drug use.
Despite the poor writing, this book is a must read for any hip-hop lover or entrepreneur. He does provide facts, tips, do's, and don't's, of any business. However, this book does his story no justice. Call me old fashioned, but I still think that the best way to write an autobiography is in chronological order. As an avid reader and aspiring writer, Life & Def reinforced the importance of a good EDITOR.

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6/30/2011

Law for Business - 7th edition Review

Law for Business - 7th edition
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I realize that many of you buying this book won't have a choice about it--it's probably required for a class you are taking and don't much care how good or bad the book it because you need it regardless. However, for those of you who do have a choice:
This textbook has 9 Parts (Intro to law, Contracts, Sales, Agency and Employment, Business Organizations, Property, Commerial Paper, Credit Transactions, Government Regulation) with a total of 48 chapters.
The format of the book, along with the firgures and tables, makes the book easy to read. When applicable, there is a case relating the law described to a real-world situation or a box with ethical considerations and questions. Additionally, the problems at the end of each chapter explore the issues and make students think of both sides of the arguement.
However, in certain areas when describing the law, the text can be vague. The authors could do better making it clear when and how a law is applicable. There are many times when doing the problems where I would look up the case or the issues involved online to get a complete picture.
Overall, a good textbook, especially with supplemental material to be given during lecture.

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5/31/2011

How Did I Get Here: The Ascent of an Unlikely CEO Review

How Did I Get Here: The Ascent of an Unlikely CEO
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About the Book:
This is not only a business book, but a story, actually a drama of sorts, that provides a behind-the-scenes glimpse into the life of a most unique man. One who has been able to somehow bridge the gap between a very structured corporate world and a very anarchistic and sometimes rebellious youth market with great accuracy and success.
In many ways, you've seen this story before - you know, the typical rare planetary alignment that brings about a kid with ridiculously supportive parents, the right amount of obsessiveness... the hyper overachieving computer nerd with an abundance of natural athletic talent and endless energy. Add to that a little self-made luck, and you have a true success story in the making. I use "in the making," as it is obvious that Mr. Tony Hawk is far from finished with the story.
There is a certain freshness to this book, I think primarily due to it actually being written by Tony and his family, no professional "hired hand" writers involved. You can immediately feel and sense the nights that Tony, his sister Pat, and brother Steve must have spent together either in each others presence or in emails and drafts, organizing, reorganizing, writing, re-writing, checking grammar, reviewing punctuation and everything else that goes into creating a book of top form.
This book might best be described as a "business autobiography," one filled with fun and very interesting experiences that drive along a good narrative, while providing a reasonable amount of insight into the strategies of marketing a bigger-than-life image and the vast array of product attached to it. The product in this case, in addition to skateboards and apparel, runs the gamut from philanthropic endeavors to television cartoons and radio shows, 30 million copy selling video games, Internet startups, and world tours with enough equipment and semi trailers to rival that of the largest of rock concerts. Through it all, we see how Tony successfully navigates the fine line between celebrity, businessman, and "core" skater, without "selling out" to any one side.The Ride:
"How Did I Get Here," although topical in format rather than chronological, primarily covers Tony's "business" life from 1982 (at the age of 14) straight through to the summer of 2010, the time of publication. You live through almost 30 years of rises and falls, often matching that of the rise and fall of the actions-sports industry as a whole.
If you are familiar with skateboarding history, Tony's professional career is rooted directly back to the original "Lords of Dogtown." Stacy Peralta, one of the original Z-Boys, formed skateboarding powerhouse Powell Peralta and with it, the Bones Brigade skate team. One of the first members he recruited was 13 year old Tony Hawk. We briefly follow this time through to see royalty checks with the Bones Brigade grow from .85 cents to over $5,000/mo. while still a teenager.
With the beginning of the skate recession of the early 90's and Tony soon to be pushing the old age of 25 (there were no pro skaters over that age at the time), things were getting to look rather bleak.
Thinking that his time as a pro skater was limited, he tightened his belt and sold his Lexus, bought a Honda Civic, refinanced his house to acquire $40,000 in cash, got a partner from his Bones Brigade days who could invest also, and started his own company, Birdhouse Projects along with his own skate team. Despite the skateboard industry taking a nosedive, they viewed it as an opportunity that would weed out all the wannabes for them. They were one of the those fortunate enough to weather it out.
From about 1992 to 1994 Birdhouse Projects appeared to be on life support. With his wife pregnant, an attempt at a "regular" job was made. With $8,000 loaned from his parents, meals of Taco Bell and lots of Ramen Noodles, he put together a makeshift video editing system in an attempt to make a living as a video editor, but alas it did not work out as described in more detail in the book.
Things took a quick swing for the better in 1995 at the first of ESPN's annual "Extreme Games", later simply the "X Games," the action-sports answer to the Olympics. As detailed in the book, Tony quickly became the "face" of the games and as a result of both his added name recognition and the elevated profile of the sport due to the X Games, Birdhouse sales took off. By 1997, licensing deals were abundant also.
1998 saw the advent of Hawk Clothing, with exclusive rights eventually sold to Kohl's. Between that and his foray into high-end apparel in 2002, many lessons were learned that could probably fill a book on its own.
During the 1999 X Games Tony treated the world to the first "900" ever, a maneuver that entailed 2 1/2 midair spins off a giant "vert" ramp. The anarchist attitude of the entire subculture influencing the ways of corporate culture were quite evident at this event. A big take-away for any business reader.
The seeds of "Tony Hawk's Pro Skater" video game franchise were spawned in 1997 which would produce its first incarnation in 1999 and continue year after year through publication of this book. Tony delves into the offers and strategies from its inception to becoming the best selling action-sports franchise of all time. Here we have an instance where against all advice, business decisions that only he could make, paid off more handsomely than anyone could ever have expected.
The early 2000's brought about new and very different ideas which in turn brought about even more financial reward, in most cases, or at the very least, a whole lot of excitement.
From a "corporate shake-up" in his Blitz distribution company to one of his most ambitious projects ever, Tony's brand continued to soar. Details on the creation of the Boom Boom HuckJam "arena tour, taking 14 semi-trucks for equipment and 8 tour buses for a 60-person crew, demonstrate the creativity and energy Tony possesses. Along the way we see how he makes adjustments to the show year to year as he tunes it into a well-oiled, fun, and profitable machine.
We round out the timeline with the power of the Internet as harnessed by Tony. He makes this power more tangible in fewer and more direct words than I've seen in just about any publication. From the success and craziness of his Twitter Easter Swag Hunt to the once potential closing of his ShredOrDie.com social site, lessons abound in this chapter.
Before we come to a close here, we can't forget to mention the lighter side of his trials and tribulations in Hollywood that are interspersed throughout the book. Like the time when he tried to get that 3D movie deal done with Tom Cruise, or that follow-up to Michael Jordan's "Space Jam" entitled "Skate Jam", and certainly we must note that bio-pic where Tony had to describe his "first encounters" with a screenwriter, which I believe he called a concept of "supreme existential strangeness."
Finally, we would be terribly remiss not to mention or minimize the final chapter entitled "Giving Back" that begins to document his philanthropic endeavors. Coupled with his more personal chapter featuring excepts from blogs and journals we are taken to places like Sierra Leone and his involvement in the "Sport for Good Foundation." One of their programs provides traumatized children a chance to simply be kids again through sports. These were the ones who had been forced into combat, labor camps, and other horrible situations, some ongoing, mostly during that country's darker war-torn years. A very touching moment. Domestically, the Tony Hawk Foundation continues to work year long to help neighborhoods in need. True to form, he ends the book as he states in the books' very first chapter, when talking to his more youthful readers, "If you get some extra money in your pocket, give back." He obviously lends a lot of credibility to this advice by truly leading by example.Final Thoughts:
The only difficulty I may have found with the book was a little ambiguity as to who the intended audience was, however that may have been due to a worthwhile attempt to try to make it accessible to everyone, from those with a passing interest in the Tony Hawk story, to the businessperson who has an interest in action-sports or marketing in general, or the teenager with dreams of becoming a pro skater. This is most notably exemplified when providing advice...
"Gravitate toward sponsors and licensees that are willing to
collaborate on, or even give your team control over, the look
and feel of marketing material, no matter how seemingly
insignificant. It's allowed us to weave a thread of graphic
continuity through a wide range of products." (Obviously to
the businessperson.)
or "Don't rebel for rebellion's sake. In fact, rebellion shouldn't
even factor into it. If the thing you love and do best is
viewed as rebellious, then, yes, embrace your inner Che
Guevara. But don't let the cool police dictate your dreams.
Think of it this way: If your passion is dismissed as mainstream
and dorky, that makes your insurgency all the braver. Do it because
you love it, not because you're worried about what others-teachers,
friends, that hot emo chick who sits alone by the bike rack at
lunch-will think." (Obviously, NOT to the businessperson.)
This is a great read. If you're even remotely interested in the action-sports industry, or possibly a pro skater looking for some sound advice in handling, or how not to handle, your business affairs, or just a young kid wanting to know what it takes to "Be like Mike... or Tony", you can't go wrong with this book. I loved it. I'm sure you will too.

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3/17/2011

The Men Behind Def Jam: The Radical Rise of Russell Simmons And Rick Rubin (Omnibus Press) Review

The Men Behind Def Jam: The Radical Rise of Russell Simmons And Rick Rubin (Omnibus Press)
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Alex Ogg did a superb job in his book on Russel Simmons and Rick Rubin, founders of the record label, "Def Jam". Ogg gave the men who launched the careers of Jay-Z, LL Cool J, Run-DMC, the Beastie Boys, and other stars of hip hop their props. While I found it was an insightful read, I discovered that homorous touches and memorable moments abound throughout the book. Since I am an fan of the Beastie Boys, I enjoyed the early part of the book which dealt with the rap/rock phenomenon in the 1980's, although I was a bit dissapointed that Ogg didn't delve more deeply into how Rubin got to be friends and roomates with Adam Horovitz (Ad-Rock of Beastie-Boy fame.) Nevertheless, Alex Ogg, a gifted writer, knows how to put together a good Def Jam history book, and without a doubt loves hip-hop very much.

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having introduced the world to LL Cool J, the BeastieBoys, Public Enemy, DMX, and Jay-Z, the label formed byhustler-incarnate Russell Simmons and A & R maverick Rick Rubin hasnow successfully marketed what was a ghetto phenomenon into the mostpervasive youth culture of the late 20th century. This book documentsthe growth of Def Jam from humble origins to its current status as thepre-eminent black music label of the 80's and 90's.

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